In natural arena show form, it ran on a strict blueprint and left little time for personable chit-chat, minus some small talk about the temperature when the good ol' Lake Erie breeze started to blow through the venue. She was just Ellie, playing some tunes and having a good time doing so. In live renditions of her older material that has been cut from this tour's set (probably in part from performer's fatigue, after she had been touring her first two albums' material for what seemed like an eternity), she seemed restrained - a bit timid, if you will - but never unhappy or ungrateful. She played theaters and festivals in one outfit, without dancers or any pop show production pizzazz. She's a changed woman from her earliest shows. It's a show fit for a true queen.Īnd in the middle of it all stands our musical shero, Ellie Goulding. She has thrown out most of the old material in favor of the new, sprinkled in some choreography and costume changes, and plastered her backdrop with wall-to-wall LCD screens, utilized for flashy video interludes of Ellie looking more badass than ever before. With all of this in mind, it was only natural for Goulding to dream big for this tour - her first headlining arena tour in the States. Delirium found our Ellie, once just a girl with her acoustic guitar and a helping hand in production from Starsmith, clad in the shiniest Max Martin armor, geared up and ready to dominate. Her music, in turn, was tickled by the thought of it all.
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